A MAZE IN ZAZAZA ENTER AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time" 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING RISING IS THE LIGHT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest- Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000. Page 15 The Nine Billion Names of God
Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.' Page 68 Into the Comet
I SAY THREAD THAT THREAD THREAD READ DEATH DEATH READ THREAD THREAD R DEATH DEATH R THREAD THREAD READ DEAR DAERHT
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language Circa 1900 FOURTH EDITION Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language FOURTH EDITION Circa 1900 Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
lisle thread: lisle thread A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Definition - of Lisle from Dictionary.net Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY 1974 Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
Good Friday, 1613. Riding Westward - John Donne (detailed notes) ... Starts to write these religious poems when he’s older because he’s matured, ... Good Friday, 1613. Riding Westward
It was December, 1955, and Martin Luther King, Jr. had just received his doctorate degree in .... Free at last! Thank God almighty, we are free at last!" ... exchanges.state.gov/education/engteaching/mlkbday.htm The "old negro spiritual" Dr. King referred to in his famous speech is "Free At Last."
Free At Last
SECRETS OF THE PYRAMIDS REVEALED Robert K. Moffett 1976 Page 153 "Maat can be defined loosely as Truth (definately capitalized) or "right order" "Maat" "Maat" Page 154 "In the pursuit of Maat,"
I AT MAAT AM
Min-Horus: Min is god of male potency, here combined with Horus god of kingship. the great goddess, lady of Punt: possibly Ipy, the goddess of childbirth ...www.geocities.com/jennycarrington/JJSinuhe/comments.html Section 38 Min-Horus: Min is god of male potency, here combined with Horus god of kingship.
THE HOURS OF HORUS HAS ARRIVED MIN MIND ME I ME MIND MIN
QUESTION IS THE MIND OF HUMANKIND UNIVERSAL MIND
UNIVERSAL MIND IS THE MIND OF HUMANKIND
MIN MIND ME I ME MIND MIN
ADVENT 879 ADVENT
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE THE 5FIVES THE 5FIVES THE 5FIVES
INNER AWARENESS
INNER AWARENESS
AWAKENING INNER AWARENESS
AWAKENING INNER AWARENESS
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE THE 5FIVES THE 5FIVES THE 5FIVES
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE THE 5FIVES THE 5FIVES THE 5FIVES
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE THE 5FIVES THE 5FIVES THE 5FIVES
LETTERS RE ARRANGED NUMERICALLY
What is a 'neener' - WikiAnswers wiki.answers.com › ... › Idioms, Cliches, and Slang Meaning of 'Neener' Neener Neener is an expression that most Americans aged 40 or under are probably familiar with. Following is a typical example of usage: ...
Where does "neener neener neener" come from? - Straight Dope ... boards.straightdope.com › ... › Main › General Questions 28 Nov 2000 - 12 posts - 10 authors
neener - Wiktionary en.wiktionary.org/wiki/neener Grizzy shouted. She ran up to some old Grouch ladies. She stuck her tongue out at them. She blew a great big razzberry at them. "Neener, neener, neener!"...linguaphiles: Neener-neener
linguaphiles.livejournal.com/1509243.html 28 Mar 2005 - Is the childhood taunt 'neener-neener' always considered an insult, or is there a use that's not an insult? Any ideas about its origins? Thanks.
neener, neener, pumpkin eater - definition and meaning https://www.wordnik.com/.../neener,%20neener,%20pumpkin%20eater neener, neener, pumpkin eater. Define; Relate; List; Discuss ... These user-created lists contain the word 'neener, neener, pumpkin eater'. Nyah, nyah, nyah.
Dubya Pee'z Geekology Cogitation Manual books.google.co.uk/books?isbn=1456729314 Robert Tracy - 2011 - Fiction
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
NEENER NEENER NEENER 555559 555559 555559 NEENER NEENER NEENER
Neener Neener - Ask.com Where did the children's taunt "neener neener neener" c...? Thanks for the question, Mark! It's a hard one: I don't know its origin but ... it is a ... Topic: Neener Neener What is neener neener? Could this be the definition of "Neener, neener? http://answers.yahoo.com/question/index?qid=2008071419... See entire page » http://en.allexperts.com/q/U-S-History-672/Origin-child... Where does "neener neener neener" come from? What does neener-neener-neener mean? What does Neener-Face mean? What does Section Neener mean? Search ResultsAnswers.com - What is a 'neener'Idioms and Slang question: What is a 'neener'? Meaning of 'Neener' Neener Neener is an expression that most Americans aged 40 or under are probably familiar ... Mystery Solved: The Origin of ' Neener- Neener ' [Archive ... 11 posts - 5 authors - Last post: 26 Jan 2007http://www.mtannoyances.com/?p=386 Mother Tongue Annoyances Origin of 'Neener Neener' Hello. Today we'll address the slang interjection ...
acapella.harmony-central.com › ... › The Political Party - CachedGet more discussion results Neener Neener - Ask.com Where did the children's taunt "neener neener neener" c...? Thanks for the question, Mark! It's a hard one: I don't know its origin but ... it is a ... www.skinnysushi.com/2011/04/neener-neener/ - CachedUrban Dictionary: Neener-neener A childish taunt or jeer pronounced with a nasal sneer, for lack of a more intelligent retort to someone else's jeer or taunt, usually from a peer....
Show more results from wikipedia.orgWhat is the Most Commonly Used Letter in English? 25 Oct 2010 ... The most commonly used letter in the English language is the letter “e”. This is the case in the general language, in fiction and ...
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E" THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E" TH5 MOST COMMONLY US5D L5TT5R IN TH5 5NGLISH LANGUAG5 IS THE L5TT5R "5"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E" 285 4612 36446537 3154 352259 95 285 5573918 31573175 91 285 352259 "5" THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E" 285 4612 36446537 3154 352259 95 285 5573918 31573175 91 285 352259 "5" THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1] "ETAON RISHD LFCMU GYPWB VKXJQ Z"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER E
O BLESSED AND BELOVED DREAMER OF DREAMS THAT INBETWEEN INBETWEEN THAT
THEN WE ALL STARTED SINGING LOOK AT THE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES AND THEN LO AND BEHOLD YOU GOT THE MESSAGE AND YOU STARTED TO LAUGH AND SING AND SUDDENLY OUT OF NOTHINGNESS WOWEEWOW WE WERE ALL LAUGHING SINGING AND DANCING WOW O WOW NOW WE KNOW KNOW WE NOW
I THAT AM THAT I THAT AM THAT I THAT AM THAT I THAT IS WEPWAWET WENNEFER WHEREVER WHENEVER
THEN WE ALL STARTED SINGING LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES THE NINES THE NINES AND THEN LO AND BEHOLD YOU GOT THE MESSAGE AND YOU STARTED TO LAUGH AND SING AND SUDDENLY OUT OF NOTHINGNESS WOWEEWOW WE WERE ALL LAUGHING SINGING AND DANCING WOW O WOW NOW WE KNOW O KNOW WE NOW
THE WHITE GODDESS Robert Graves 1948 Chapter 16 THE HOLY UNSPEAKABLE NAME OF GOD Page 275 "To judge from the Homeric legend of King Proteus, the earliest Pelasgian settlers in the Delta used Pharos, the lighthouse island off what afterwards became Alexandria, as their sacred oracular island. Proteus, the oracular Old Man of the Sea, who was King of Pharos and lived in a cave - where Menelaus consulted him - had the power of /Page 276/ changing his shape, like Merddin, Dionysus, Atabyrius, Llew Llaw, Periclymenus and all Sun-heroes of the same sort. Evidently Pharos was his Isle of Avalon. That Apuleius connects the sistrum of Osiris, used to frighten away the God Sea.with Pharos suggests that Proteus and Osiris were there regarded as the same person. Proteus, according to Virgil, had another sacred island, Carpathus, between Crete and Rhodes; but that was the Thessalian Proteus. Another Proteus, spelt Proetus, was an Arcadian. It would be a great mistake. to think of Pharos as a secluded sacred island inhabited only by the attendants of the oracle: when Menelaus came there with his ships he was entering the largest port in the Mediterranean.1 Gaston Jondet in his Les ports submerges de l' ancienne lie de Pharos (1916) has established the existence here even in pre-Hellenic times of a vast system of harbour-works, now submerged, exceeding in extent .the island itself. They consisted of an inner basin covering 150 acres and an outer-basin of about half that area, the massive sea-walls, jetties and quays being constructed of enormous stones, some of them weighing six tons. The work seems to have been carried out towards the end of the third millennium B.C. by Egyptian labour according to plans submitted to the local authorities by Cretan or Phoenician marine architects. The wide landing-quay at the entrance to the port consisted of rough blocks, some of them sixteen feet long, deeply grooved with a chequer-work of pentagons. Since pentagons are inconvenient figures for a chequer, compared with squares and hexagons, the number five must have had some important religious significance. Was Pharos the centre of a five-season calendar system? The island was oddly connected with the numbers five and seventy-two at the beginning of the Christian era: the Jews of Alexandria used to visit the island for an annual (five-day?) festival, the excuse for which was that the Five Books of Moses had been miraculously translated there into Greek by seventy-two doctors of the Law ('the Septuagint') who had worked for seventy-two days on them, each apart from the rest, and agreed exactly in their renderings at the conclusion of their task. There is something behind this myth. All similar festivals in the ancient world commemorated some ancient tribal treaty or act of confederacy. What the occasion here was remains obscure, unless the Pharaoh who married /Page 276/ Sarah, the goddess mother of the 'Abraham.' tribe that visited Egypt at the close of the third millennium, was the priest -king of Pharos. If so, the festival would be a record of the sacred marriage by which the ancestors of the Hebrews joined the' great confedracy of the Peoples of the sea whose strongest base was Pharos. Hebrews seem to have been in continuous residence in Lower Egypt for the next two millenia, and the meaning of the festival would have been forgotten by the time that the Pentateuch was translated into Greek. Page 276 "Was Pharos the centre of a five-season calendar system?"
PHAROS = 5 = PHAROS PENTATEUCH = 5 = PENTATEUCH
TO TELL THE TRUTH IF IT WAS ME IF I WERE YOU I WOULD DO THIS ON THE OTHER HAND TO TELL THE TRUTH IF IT WAS ME IF I WERE YOU I WOULD DO THAT
I AM HALF A DOZEN OF ONE AND SIX OF THE OTHER GIVE OR TAKE A FEW COME DAY GO DAY EITHER OR NEITHER NEITHER OR EITHER NEITHER ONE THING OR THE OTHER HERE OR THERE THERE OR HERE NOTHING AND SOMETHING SOMETHING AND NOTHING FIFTY FIFTY ODDS OR EVENS EVENS OR ODDS THAT CREATORS THAT CREATORS PERFECT BALANCING GODS BALANCING PERFECT CREATORS THAT IS ME AND YOU KNOW ME MY WORD IS MY BOND ALWAYS HAS BEEN ALWAYS WILL BE I AM EVERYTIME AS HONEST AS THE DAYS LONG EVERYTIME HONEST AS THAT AM I POSITIVE AM I ALWAYS AM I POSITIVE NEGATIVE AM I ALWAYS AM I NEGATIVE YOU HAVE IT IN A NUT SHELL IN A NUT SHELL YOU HAVE IT
SATAN SAT AND THOUGHT AND THOUGHT AND SAT SATAN THOUGHT THAT THOUGHT THAT SPUN THE GOLDEN WEB THE WEB GOLDEN THAT SPUN THE THOUGHT THAT CONSPIRES THY RUINATION O NAMUH O THY RUINATION CONSPIRES I CANT DO RIGHT FOR DOING WRONG I CANT DO WRONG FOR DOING RIGHT
I AM ALWAYS SUFFERING AM I AM SUFFERING ALWAYS SUFFERING THE UPSIDE DOWN OF THE INSIDE OUT BALANCING THE ODDS ALWAYS BALANCING THE ODDS BALANCING THE GODS ALWAYS BALANCING THE GODS
THAT IS ME LIKE IT OR LUMP IT ASK NO QUESTIONS TELL NO LIES
WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP
I SAY HEAVENS ABOVE IN ALL TRUTH WHERE R IN HELLS NAME R U ALL GOING U R ALL IN HELLS NAME GOING WHERE
I SAY MAKE THAT IMAGINATIVE LEAP O NAMUH O THAT IMAGINATIVE LEAP MAKE THOU ART LIKE ALL ELSE UNIVERSAL MIND GODS UNIVERSAL MIND THOU ART GODS BUT KNOW IT NOT
|